igormaglica:

Suzanne Valadon (1865–1938), The Bath, 1908.

pastel, 60 x 49 cm

(via female-arthistory)

grace–upon–grace:

Kaylyn Weir

(via breadandolives)

(via whitenoten)

(Source: vsco.co, via enatenewyork)

(via enatenewyork)

spoutziki-art:

Luis Egidio Meléndez

spoutziki-art:

Abraham Rombouts, Portrait of Anna de Looper, 1627 (detail)

spoutziki-art:

Adriaen Coorte - Still life with wild strawberries, 1705

spoutziki-art:

Adriaen Coorte - Three peaches on a stone ledge with a Painted Lady butterfly, 1693-95

(via futurewitchdoctor)

books0977:

The Blue Room (1923). Suzanne Valadon (French, 1865-1938). Oil on canvas. Centre Pompidou - Musée National d'Art Moderne. 

The growing prevalence of female artists has forced a re-examination of the traditional male perception of women as objects of sexual adoration. Titian’s “Venus and the Lute Player” (circa 1565) is revamped in Valadon’s “La Chambre Bleu” (“The Blue Room”), in which the subject is now a clothed model who smokes and reads books.

(via bloodb1tch)

whatjanesaw:

Teodor Axentowicz - Cover Illustration for Weekly Illustrated No. 14, Warsaw, 1908

(via bloodb1tch)